Obama’s eloquence straightened American spines today

January 20, 2009

165357FROM JASON’S LUNCH ROOM — Everyone today will have an Obama story.

Mine happened in a small, corporate lunch room where about 40 people gathered in absolute silence. Where mainly there’s a deafening rabble of voices, there was respectful silence. All mouths — from 18 to 65, black, white, brown, male, female, poor, less poor, smart, less smart — were clamped shut.

And every eye was on the LCD flat-screen on one end of the room. Every head nodded in unison as the 44th President talked about economic and military crises, and about unity in the face of very palpable threats. A buzz of electric agreement surged through the room when Barack Obama told us to “pick ourselves up, dust ourselves off, and begin again the work of remaking.”

My co-workers are not people to remain quiet long; but for 30 minutes today, they listened without speaking. They agreed without dissenting. They prepared for hard work without grumbling.

One giant of a man, who looked like he could crush me with a glance, wiped tears away. When Obama finished speaking, a white man and black man at the back of the room gripped each other in a bear hug and then went separate ways without saying a word. At the end of the 30-minute address, there was no hooting or whistling in my lunch room; everyone walked from the room with backs straight, eyes thoughtful, and minds in a mutual alignment.

The word I’ve been avoiding here is “hope,” because it carries with it the weight of a political slogan. What I can say I saw instead in that room was an expectation of success.

After 12:30 p.m., it was finally right and prideful again to be an American. After eight long years of confusion and embarrassment, we were no longer ‘Merkans. There’s no more need to worry about “strategery.”

It was liberating, and for the first time (especially watching the faces of my black co-workers) I could start to scratch the surface of what it really means to live an historical moment. I thought to myself that if I could magnify my content by a thousand, it might come close to what our black brothers felt in 1964 when Johnson signed the Civil Rights Act.

I couldn’t help questioning the ethics of the swelling patriotism I felt in that lunch room.

The day after the nation elected Obama, I asked a black worker what it felt like to have a black man become president. She told me it was a feeling I could never as a white person understand. She apologized, saying it wasn’t meant to be racist; just that I lacked the cultural lexicon necessary to get it.

This, she said, was validation that a person like her could achieve the highest level of power. All the doors were finally thrown open to her, not on paper but in practice.

She’s right, of course. I’m not sure that I can understand the spiritual release she experienced on election night, or at noon today. I’ve never been shackled with the onus of minority race.

But I can understand in many other ways. My family grew up in poverty. My family accepted government cheese. My family did not often have money for new school clothes, let alone luxuries. My family did not have money to send me to college, and so I paid my way on the sweat of my brow instead of the polish of my spoon.

And here is a man that embodies that golden American upward mobility, that seed of manifest destiny we all want to nurture in ourselves. When I watched President Obama’s address today, I saw myself on that stage even though my skin is white and my paycheck is small.


Music Monday: Nada Surf and The Statler Brothers

March 17, 2008

1. Nada Surf — Popular

These were the days of flannel and backward baseball caps. I remember how huge Popular was in 1996 in New York state — mostly because the band had a huge teen following downstate. When the video hit MTV, Nada Surf suddenly became the ironic icon of misplaced teen priorities, showing how delusional most pop culture depictions of high school were.

The first few times I actually listened to the lyrics, I was stumped. Was Matt Caws being serious? It didn’t take long to catch on to the vitriol as his spoken rant escalated into full, hateful ablution. I was dating my first real girlfriend at the time and I remember that this song triggered my first doubts that high school love was real.

Also, that slutty cheerleader was really hot by 1996 standards.
Space


2. The Statler Brothers — Flowers on the Wall


I spent some of my earliest years hanging around my grandparents’ farm in the hills of western Pennsylvania, a state where Flowers on the Wall might as well be the official anthem of depressed cultural solitude. That was the 1980s, but even today that part of the state seems to be permanently stuck in a sepia-toned shadow of the 1960s, when The Statler Brothers’ tune hit the radio waves.

There’s that famous refrain: “Playin’ Solitaire ’till dawn with a deck of 51/Smokin’ cigarettes and watchin’ Captain Kangaroo/Now don’t tell me I’ve got nothin’ better to do.” It’s ostensibly about a man who’s left direction-less after a break-up. But I think it perfectly describes the tired mindset of the backwoods Pennsylvania coal miners who watched industry and progress fall away in the 1970s.

That kind of disenchantment was lost on me at age 4 when the song would play on my grandfather’s pick-up truck radio. But it really hit home in the context of the Pulp Fiction soundtrack in 1995 — especially next to other 60s and 70s slacker songs. Quentin Tarantino’s track list was brilliant and I think my dream job would be choosing songs for his films.