FROM SAIL’S EIGHT-TRACK PLAYER — Listen: I am swamped with schoolwork right now. This weekend alone I have to compile a 16-page document on various political topics, finish the first draft of a short story that I have no ideas for, and begin a 10-page paper on education reform.
But instead, for your morbid amusement, I’ve decided that I need to sit through Green Day’s new album, 21st Century Breakdown, in order to be able articulate exactly why I don’t like it.
The reviews have been outrageous. Kerrang! somehow compares this incredibly clean and radio-friendly pop-punk sound with NoFX’s dirty and in your face political thrashings. AbsolutePunk, a source I’ve generally come to trust, admits that the record is nearly identical to their previous one, American Idiot, while still giving it a glowing score of 91/100. Similarly, Rolling Stone gave it 4.5 stars out of 5 while also saying that the music sounds like they’re trying too hard. My own school newspaper compared it to London Calling.
Fuck. I guess I’ve gotta hear this.
10:05 pm – Six tracks in and I’m regretting this decision. It’s not the ear-bleeding brand of terrible, but it’s exceedingly mediocre and unoriginal. Also, [bassist] Mike Dirnt’s playing is ridiculously mixed out.
Miss you, Dookie.
10:14 pm – It’s like Billie Joe has become a parody of himself. He took the idea that people think he writes songs with cheesy lyrics and no more than four chords… and then actually did it.
10:16 pm – “Peacemaker” is actually kind of interesting.
10:22 pm – Too many of these songs sound exactly the same. Or exactly the same as songs on American Idiot.
10:26 pm – Some of this guitar playing makes me seriously doubt [guitarist] Billie Joe’s skill as a musician. I mean, I know he must have the potential, but he’s really just not using it. Tre isn’t an amazing drummer, but he’s always been good enough. I’m disappointed in Mike’s bass playing on a few songs for being a lot more simplistic than usual, but I’m more disappointed about how hard you have to listen in order to hear the better stuff he’s doing.
“Restless Hear Syndrome” is another interesting track. Everyone who likes this album seems to be talking about how much more “mature” it sounds, but I’m really just not hearing it at all, aside from this and “Peacemaker.” And two tracks out of 18 isn’t enough to call a record mature. If anything, this music strikes me as more obnoxious and immature than ever.
I’m going to have to listen to some major Operation Ivy to cleanse my ears after this is all over. Remember when Green Day sounded like OI? Yeah, me too.
10:51 pm – Verdict: A definitive “ick”.
Some may define this record as Green Day’s growing up, and that’s fine with me. I’m not one of those people who is going to bitch about a band or artist changing their sound or getting more popular. Usually, it’s a better thing for everyone involved if the artist doesn’t feel restricted to make the same music that made them famous. But 21st Century Breakdown is just a plan poorly executed.