Thin Lizzy — Dancing In the Moonlight
You know The Boys are Back In Town. You might know Whiskey In the Jar. But for my money, Thin Lizzy’s best is Dancing in the Moonlight, which has instrumentals deceptively upbeat compared to its lyrics.
A couple of covers by the Smashing Pumpkins and Magnet play the song wound tight with angst, but Thin Lizzy effortlessly makes their mournful songs accessibly pop. For example, the guitar solo two-thirds of the way through The Boys are Back in Town is one of the saddest pieces of music I’ve ever heard, and the quiet bass line in Moonlight underlines lyrics borne of a teen feeling trapped.
Also, if you haven’t ever seen the VH1 Behind the Music episode about Thin Lizzy lead Phil Lynott, find it. Of all the working-class rockers to come out of the 70s, Lizzy is easily my favorite and I can’t understand why the band didn’t get more attention.
Spoon — The Way We Get By
Andrew likes complicated, thrashing counter-melodies crashing together in dark metal anthems. I like rebellious, jazz-inspired experiments by alt-slacker beatniks. So here I am, recommending Spoon, a band that mixes piano and cymbals with underplayed guitars to create catchy indie pop.
These are songs that are more about creating a mood than causing jaws to drop in awe. There’s not much technical prowess here — just a jangling basement-jam-session pathos. And that’s why The Way We Get By ends up in heavy rotation on my iPod.
May I also recommend Lines In the Suit?